Pakistani women’s writing

Kamila Shamsie, A God in Every Stone. Bloomsbury, 2014.
Kamila Shamsie, A God in Every Stone. Bloomsbury, 2014.

My review essay of three recent novels by Pakistani women–Fatima Bhutto’s The Shadow of the Crescent Moon, Kamila Shamsie’s A God in Every Stone and Uzma Aslam Khan’s Thinner Than Skin–has just been published in the latest print edition of Himal Southasian. This isn’t available online for free–although many other great articles are on the Himal website–but hard copy and digital issues can be purchased on the website.

The same issue also includes an excellent review of Kaushik Barua’s Windhorse, a novel about Tibet, written by my friend and ex-colleague, Scottish writer Ross Adkin. Ross’ fiction has featured in an earlier issue of Himal.

Fatima Bhutto, The Shadow of the Crescent Moon. Delhi: Penguin India, 2013.
Fatima Bhutto, The Shadow of the Crescent Moon. Delhi: Penguin India, 2013.

Below is an extract from my review. I have also reviewed two of these novels, Bhutto’s and Khan’s, on this blog.

“For a few years, Pakistani English literature has been on the verge of a ‘boom’; not quite an explosion, but what scholar of contemporary Pakistani literature Claire Chambers has called a ‘flowering’. While the hoped for (from the Pakistani side, at least) equation with the Indian English literature boom that began around 30 years ago may be far from materialising, Pakistani writers are consistently bringing out new works, particularly novels, in English. Internationally best-known among them are Mohsin Hamid, Mohammed Hanif, and if we are to include a British author for Pakistan (India claims Salman Rushdie, so why not?), Nadeem Aslam. But, this boom-set is not limited to male writers. A small crop of successful and acclaimed Pakistani female writers are creating significant work, including Uzma Aslam Khan, Fatima Bhutto and Kamila Shamsie.

With Shamsie’s latest novel, A God in Every Stone, having been published earlier in 2014, her inclusion in Granta’s 2013 collection of the top 20 British writers under 40, the release of Bhutto’s debut novel The Shadow of the Crescent Moon in late 2013, and Uzma Aslam Khan’s Thinner Than Skin nomination for the 2014 DSC Prize for South Asian Literature, now is a good time to take stock of this ‘growth’ in Pakistani women’s literature by looking at three recently published novels: Bhutto’s The Shadow of the Crescent Moon, Shamsie’s A God in Every Stone, and Khan’s Thinner than Skin.”

Uzma Aslam Khan, Thinner Than Skin. Delhi: Fourth Estate, 2012.
Uzma Aslam Khan, Thinner Than Skin. Delhi: Fourth Estate, 2012.
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Weekly news

News:

DSC Prize for South Asian literature long-list announced. I’m disappointed that some big-name authors (of varying levels of mediocre) books have been included, as these threaten to overshadow the work of other lesser-known but very good authors. What I have liked about the DSC Prize in the past few years is its inclusion of a very wide variety of South Asian literature, from writing on South Asia by non-South Asian authors, as well as authors from and based in South Asia itself, originally written in English as well as translated into English. This is still evident in this long-list, but I hope the short-list is more discerning. And, now in its fifth year, I think it’s about time the top prize went to a woman, as it hasn’t yet, and South Asia is hardly short of female literary talent. Here’s the list.

And the Mountains Echoed, by Khaled Hosseini (read my review here)

The Lowland, by Jhumpa Lahiri (read my review here)

Helium, by Jaspreet Singh (review forthcoming)

The Gypsy Goddess, by Meena Kandasamy

Mad Girl’s Love Song, by Rukmini Bhaya Nair

The Mirror of Beauty, by Shamsur Rahman Faruqi (review forthcoming)

The Scatter Here is Too Great, by Bilal Tanweer

A God in Every Stone, by Kamila Shamsie (regular readers will know how I feel about Shamsie’s work, and this novel is no different as far as I’m concerned! I have reviewed it, along with Fatima Bhutto and Uzma Aslam Khan, in the latest issue of Himal Southasian)

The Prisoner, by Omar Shahid Hamid

Noontide Toll, by Romesh Gunesekara

Call for papers:

South Asian Popular Culture journal, special issue on ‘Graphic Novels & Visual Cultures in South Asia’.

Articles I’m reading this week:

Report: Panel discussion on “Conflict and Literature” held in India’, by Jaya Bhattacharji Rose, on Kitaab.

In the end, Pakistan champion Muhammad Iqbal had doubts about the Two-Nation theory’ excerpt from new book by Zafar Anjum on Iqbal, on Scroll.in.

Sufism: “a natural antidote to fanaticism”’ by Jason Webster, on the republication of an Idries Shah book about Sufism, on The Guardian.

Time for Peace’ by Salman Rashid, on the Asian Review of Books.

Events:

Mumbai: Tata Literature Live Festival begins this Thursday, 30th October.

Boston, New York, Austin, Houston, Los Angeles, Palo Alto, San Francisco: throughout November (starting on the 1st) Pakistani film Zinda Bhaag will be touring US universities, followed by q&a sessions.